You step through the heavy wooden doors and stop. The light inside La Llotja falls differently today. The six spiralling columns still twist upward toward the vaulted ceiling, just as they have for nearly six centuries. But something has changed entirely. Color floods the room. It moves across stone, spreads onto the entire floor, pools in shadows, and erupts where you least expect it. Katharina Grosse’s exhibition “Arrels” (Catalan for roots) doesn’t hang on the walls of La Llotja. It…
Clara Carvajal: Ways of Fixing Time
Photography and geology share a strange quality. Both capture what has been. A rock bears within it the layers of millions of years, each layer a silent record of pressure, heat, and movement. A photograph does something similar. It freezes a moment, makes it permanent, saves it from oblivion. And yet both lie in their own way. The rock conceals what happened between the layers. The photograph chooses what to show—and what not to. It is precisely within this tension between preservation and…







